The Winter Drawings
Continuities between human and non-human life. Figures and natural forms share phenotypic echoes, suggesting connection rather than hierarchy. Introspective and symbolic, the works reflect on instinct, vulnerability, coexistence and interdependence. Consider yourself shaped by the same adaptative forces.
The Sound of Time, Dec 2025
Pencil on cartridge paper, 28x35cm
The collecting magpie silences age, as it reflects on the accumulations of the world, natual and manmade, large and small, fresh and faded.
The Natural World, Dec 2025
Pencil on cartridge paper, 28x35cm
Watchfulness and rest. An eye, like a seed or a fruit, alert and glowing, while the lamb lies quietly. Nothing feels dramatic, yet everything feels alive—observing, breathing, waiting.
“The natural world” is about coexistence rather than hierarchy. Innocence and awareness, vulnerability and shelter, placed side by side without explanation
The See, Jan 2026
Pencil on cartridge paper.
The See...the space where thought drifts. A face submerged among fish, shells and drifting forms, a mind at rest but not empty—absorbing, listening, sensing its surroundings. The sea is not just a place, but a state: reflective, fluid, ambiguous and acceptably unsettling.
Bind Thee to Me, Jan 2026
Pencil on cartridge paper.
Things fragile, fleeting and instinctive: hands, wings, leaves. They overlap and blur...caught mid-movement, mutual edges...a shared extistence. The hand of care and control, birds and butterflies for freedom, the patterned coats of woodland creatures to disguise and dissolve animals into plants.
Beneath Every Ship, Jan 2025
Pencil on cartridge paper.
Underlying all things is the female body and most especially when we face storms and fears and hope for safety we wish to go home, to port, to the ground of the universe. The ship is held in the protective arm of the giant woman who lives beneath the waves...simultaneously, the ship is her head, mind, thoughts.
From The Tower, Jan 2025
Pencil on cartridge paper.
Instinct, tenderness, myth. The hare— grounded —anchors the image, while the dreamer reaches and drifting flowers move like thoughts across its surface. Elements overlap without hierarchy, as memory and feeling do, forming a space where human vulnerability meets animal intuition. The collage resists a single reading, instead inviting the viewer int
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Framed for Hanging
